That was a lot of buildup for not a lot of payoff. Almost 5 chapters of angst and painfully blatant dramatic irony, all for a sappy resolution condensed into the last 4 pages of the series.
I don't even dislike angsty drama or sappy endings, but this was a really, really ineffective way to go about combining the two.
This is the tv dinner of yuri mangas
Actual TV dinners are at least easy to prepare and consume.
This was like spending 6 hours preparing a rotisserie chicken, but when you pull it out of the oven it's suddenly a box of Lunchables.
I mean, was anything about Yagi being addlebrained and putting Mado through the things she did put her through funny?
I think the author wanted to make a dramatic story with comedic elements, and simply failed at properly balancing and transitioning between the two. The one-shot was a comedic story with a lightly dramatic twist, which worked very well. The series was much heavier on the drama, but instead of toning down the comedy to compensate Ohsawa increased it. So the two sides end up fighting for presence within the story and leaving the reader unsure of how to feel about anything.
Plus it seems like the author is simply better at writing stories in shorter formats. There are really glaring gaps in the plot and pacing issues that throw the series out of whack.
last edited at Feb 17, 2018 9:40AM