The last few chapters have made me think there’s something odd (or maybe just interesting) going on with this series as compared to the doujins.
It’s often been noted in all the various discussion threads that the “Master & Mel” material in any of its forms conspicuously does not address, and in fact often seems to be willfully oblivious about, a number of basic issues or practical questions that would help to ground readers in relation to the story if only we were given more details about how this world works. But in looking at the chapters of MM&FGM,
- The first chapter sets the tone with some classic M&M lovey-dovey fluffy cuteness featuring butterflies.
- Chapter 2 gets M&M snuggling into bed together (and incidentally features some really excellent pacing and expressive cartooning in the Mel-goes-to-the-bathroom-in-the-storm sequence).
- Chapter 3 is a reworking of Mel’s origin story (what we know of it) from “Master & Me.”
But from Chapter 4 on each chapter explicitly alludes to important themes and issues that were mostly not even raised in the doujins, but does so without really clarifying those basic questions I mentioned.
Chapter 4, in the course of giving some important backstory for Master, directly brings up the relations between “humans and animals,” and alludes to the antipathy of one species for another. But it doesn’t help us further understand the differences, whatever they may be, between humans and beastkin.
Chapter 5 directly invokes the word “pedophilia,” as the much more sexually explicit doujins never did, but also shows Mel nearly nude and depicts the Master checking out Mel’s private parts.
Chapter 6 gives Mel a beastkin-specific heightened sense of smell that makes her more explicitly like an animal than ever before (the stories have always suggested that beastkin were only different in their outward appearance). And anybody who wants to call that blissful smelling scene “ambiguous” is free to do so, but “entirely innocent and subtext free” is just not on the table. At all.
Chapter 7 absolutely wallows in the human/animal dichotomy (notice how Mel’s sense of smell gets no mention at all in what must be a very rich environment of various scents at the zoo), and gives us the most overtly sexualized moment of this series when the Master licks Mel’s tears after the story has carefully prepared us to see it as Master “simply” mimicking Apollo’s repeated doggy behavior.
I don’t actually know exactly what, if anything, to make of all this. I wouldn’t say that Itou Hachi has decided to be more overt about the underlying issues in this series, because those issues are mentioned but are still not addressed in any more substantive way than when they were just being ignored.
So maybe she’s just mildly trolling us.
last edited at Jul 30, 2018 9:11PM