I think the idea of a character 'deserving' a certain ending is somewhat strange, since at the end of the day, they're not real. What I want from a story is a narratively satisfying ending, and that's what we got with Aoi.
Totally agree. Aoi is yet another example of what I’ve called the Tomolo character (“The Other, More Overtly Lesbian One”). Typically the third wheel in a love triangle or otherwise an intrusive threat to the happiness of the OTP, she’s an out lesbian (at least to herself) when the main characters are often oblivious to or dithering about their feelings for each other or about the very possibility of same-sex romance.
And for many readers the Tomolo is absolute catnip. No matter how badly she behaves (and to be sure, she doesn’t always play a heavily negative role—she’s just more forthright about her same-sex attractions), readers will beg for her to get paired off with someone or otherwise receive a happy ending, or they may in fact ship her with one of the OTP. (Or even recently, with the rise of the “Everybody Must Get Poly!” movement, with both of them.)
And the author’s obvious intentions for the character or the story’s cues about what’s going to happen don’t seem to matter to those readers much at all.
last edited at Mar 18, 2023 7:04AM