The sequences to the story are actually pretty clear: pages and partial pages with a white background to the gutters are the "present," where Chiharu is dead (and stuck in a memory/experience loop) and Hiro is continuing her work as a model. Pages with a black background to the gutters are flashbacks to Chiharu's lived past, including the dream she had the night after she saw Hiro and Mao.
When she woke up from that dream and started getting ready for what she believed to be a date with Hiro, and no doubt addled by the sleeping pills and her disrupted sleep patterns, she lost consciousness and drowned in the bathtub. She keeps trying to fulfill that date with Hiro by the ocean, but only when she gets there does she realize that she's dead.
You can track the transitions from the black-guttered past to the white-guttered present on pages like p. 66 (in her dead-present she's in her school uniform with no socks) and page 74.
I say the sequences are "clear," but there's actually a clever use of contrasts between gutters and panel interiors, of bleed panels, and of panels with no gutters so that the time-shift signals can seem ambiguous and not very schematic at first.
And I don't think Hiro has forgotten Chiharu at all--every time Chiharu gets to the ocean and cries, her tears turn to rain; every time it rains, Hiro flashes back to a vision of her dead friend and cries. Hiro's tears then become the drop that awakens Chiharu in the bathtub again.
last edited at Oct 26, 2018 1:08AM