One thing Canno consistently does well is visual rhyming.
In this chapter several times people visualize in a fairly abstract way another character who is not present (in other words, we see an image of a character outside of any specific memories). Shiramine pictures Kurosawa, Mikaze pictures Asuka, and Kaoru pictures Kurosawa. We see all three characters from behind, but in the second and third examples we don’t see a face, only a back, while Ayaka’s Yurine is turned around toward her (and us).
The panels of Mikaze’s lost love and Karou’s unspoken crush look almost exactly the same, while the image of Yurine’s forthright affection and Ayaka’s barely repressed reciprocation recalls those poses but is completely transformed. The side-by-side contrast on page 14 between Ayaka’s thoughts and Mikaze’s is especially effective.
Side notes: I have come to love Canno’s mildly perverse (because of the series title) piling on of that rose imagery around the Ayaka/Yurine relationship. Has anybody in this series ever actually gotten a white lily, and if not, will they ever? Or is the yuri all going to be the non-botanical kind?
And is that image as close as Shiramine has come to admitting to herself that she’s in love with Kurosawa? I know she all but says it in a previous scene with Mizuki . . .
Lyendith: Thanks as always for the translation. Also for the chart, which always reminds me how much I like many of the characters. This time I recall Chiharu and Izumi especially fondly, although I couldn’t say why exactly.