Some official translations also make for a stellar read. The official translation of Ruri Dragon has a fantastic flow (at least for the first couple chapters, I eventually dropped behind and haven't caught up). What the individual reader values and likes most is another matter. I love Sexy Akiba Detectives version of this oneshot by Ohsawa Yayoi, while others prefer the Daylight version.
Different story entirely are the crimes against literature editors sometimes commit in changing plot points or outright omitting things because they think they won't fly in the target market. Jelly filled doughnuts being one of the smaller offenses here :D
In case of YagaKimi I've read the 4s translation on Dynasty first (after watching the show though), compared some chapters to another group's on Mangadex and eventually bought and read the official Seven Seas one. Don't recall anything too egregious about the Seven Seas version of it, but I also haven't read that one since 2019. Some aspects and individual phrasings I preferred in one version, while other things felt more natural in another. In terms of overall polish, the 4s was probably the best.
What Aikosaurus said is also painfully true. Translation is generally paid by word count, and not paid well, so if you want to make a decent living, you need to work fast. You still want to deliver the best quality you can muster (which varies wildly depending on personal and temporary factors), but you also can't keep agonizing over each particular turn of phrase forever and eventually need to settle for "good enough". Not sure how the workflows are in manga translation, but I work in video game translation (among other things) and especially for larger productions it's rather convoluted, with work being spread out between many people and teams that may or may not have the same ideas stylistically even within existing guidelines. Plus if workflows and tools are clunky, that certainly doesn't help quality. As was also seen recently with Crunchyroll's subtitle debacles.
last edited at Feb 2, 2026 6:21AM