"And thus we have a-"
" NO! "
"...And thus we have a love tria-"
" OH GOD NO! "
"......And thus we have a love triangle in this yuri you like so-"
" NONONONONO! WE WERE SO CLOSE! WE WERE ALMOST FREE! WHY MUST WE FOREVER CARRY OVERUSED CLICHES AROUND WITH US LIKE A SCROTUM FULL OF HORSESHOES? "
Oh Yatzhee, thank you for helping me always knowing what to say and how to say it
But cliche is the engine that runs yuri. Cliche is what makes yuri so enjoyable. If you don't like cliche, why are you reading yuri? Cliches are an easy way to pack in a ton of meaning into one small spot because they're easily recognizable. They're what make pop fiction and romance fiction, well, popular. They're great to use in writing, regardless of what your creative writing teachers say. And besides, experimental fiction is a chore to read and pretentious. Innovation isn't always fun when you're seeking out derivative romance fiction. Even Takemiya Jin, the revolutionary queen of yuri style, uses love triangles (The way she picks apart and nukes older yuri conventions in the first chapter of Fragments, though, is exquisite).
And as long as the writer can breathe some new life into the cliche, like here with interesting characters and a fun story, rather than just mindlessly use old tropes, it's fine. And good yuri doesn't even have to do that.
Calling a love triangle cliche is rather odd, though. It's a standard story archetype. Like, you wouldn't say it's cliche to end a chapter with a hook, or to have a rising action followed by a climax, would you?
Well, apparently I'm the only person here who is bloody tired of love triangle as a cheap resort to add drama. It's because cliches are so overused that so many Yuri works fall into the same formula over and over again, and why this particular work was so refreshing.
Think of it this way: so far, the only couple that falls for the classic Yuri formula is the photograph/model one. Miscommunication, the promise made when they were little, childhood friends, tsundere all over... That's the Yuri formula. It's not bad, but it's very overused.
The rest, however? They have been built in particular settings and scenarios not always explored. For example: girl had a crush on her close friend, who might or might not reciprocate, while a new girl appears in scene. The formula dictates that the close friends will end up together, and that the new girl is just misleading.
But what did it happen here? Chiharu let go of her old crush after sorta-kinda-but-not-really-confessing and let place for Izumi to become a new love. And, as we've seen, they're happy together. See? Not overused cliches, not unnecessary drama, and a smooth and refreshing development. That's good.
But love triangle just for the sake of drama? That's cheap and overused. Sure, one of the angles in this triangle is all up for poly and the other doesn't mind, but it's still build up so it can lead to drama, something that was refreshingly absent in this work.
Now you defend it. You say "Yuri is build on cliches". Man, that's one of the reasons why we rarely get new developments in Yuri. We're fine with reading the same scenario over and over and over again. Look at what Nishi Uko does with their works: different situations in different environments. I think we all agree that Collectors is on of the more refreshing takes on Yuri we've got for a while. And it works so well precisely because it doesn't relies on the cliches we all know so well.
So yeah, I call this an unnecessary cliche that had no place in such a well written story as this one.
Now, do I trust Canno to write it in an interesting direction? Sure. But that doesn't make it any less infuriatingly over used
last edited at Jan 4, 2017 2:23PM