Does anyone else feel the mangaka just kinda gave up on drama after seeing all the backlash it got and decided to go back to fluff? Because the tone changed real fast and suddenly.
Isn’t it wonderful how some readers feel they can dictate what an author can and can not do with their own work?
I think the readers can dictate the story, to some extent. It's certainly the author's prerogative to write the story as they envision it. However, if the readers reject the story, the writer will have to adapt, or get a real job to make a living.
Please define what a “real job” is.
Also, if anyone had a influence on what direction they went with it wouldn’t be us freeloaders.
I tend to think of this site as testing grounds for possible licensing by U.S. publishing companies or anybody else wanting to pick up language-translation-publication rights to a manga translated and uploaded here.
Users on this site get to see yuri stuff for free, waaay early, and freely comment on stuff published to test out plausible marketable ideas... that’s the perks. On the negative side, users have to sift through a lot of crap (and comment on it) from newbie mangakas, encounter lots of junk that doesn’t crossover languages/cultures at all, and deal with subject matter verging on repulsive.
One person’s opinion doesn’t sway the market, but happenstance collective approval or disapproval can make or break a plausible yuri manga.
Edit: oh, listen to George Thorogood’s “Get a haircut” song to understand what a real job is... 9 to 5 crap that someone else tells you what to do or else find another real job.
last edited at Oct 31, 2018 11:02PM