Borderline puritanical class rep characters who implode the moment a woman smirks at them deserve more appreciation, because they're the equivalents of those pro wrestlers who really excel at selling and can make the tiniest little guy waffling noodle punches look like a runaway freight train. Yatosaki Haru in particular has refined the portrayal of sapphic half-lives to an art form, and this is truly one of their finest displays.