I had an impression that there might be some visual callbacks in the poses and expressions between Sayaka’s confession and their scenes together in the play, but that’s not it—it’s the hands. In the vast majority of Touko-Sayaka panels during the play, they’re holding hands in some way. And, of course, in the latest chapter Sayaka’s actual declaration of love is preceded by several close-ups of their hands.
But that reminded me of the real callback—to the matching rooftop scene of Yuu’s speech to Touko just before the play, where Yuu takes Touko’s hands and holds them for seven full pages (and how they got those lewd interlocking-fingers panels past the censors I’ll never know. Lol)
The two subsequent confession scenes have understandably overshadowed that rooftop scene, but it’s one of the most important in the series so far, and it seems significant that Touko’s takeaway there was, “I want to believe in Yuu.”
It also strikes me that there’s some kind of symmetry with both Sayaka’s confession and Yuu’s truthtellng scene being up, and the big turns in the Yuu-Touko relationship (Touko’s “don’t love me” ultimatum and Yuu’s confession) being down (in the culvert below the railroad tracks).
Whether that’s just for drama in the staging or there’s some further thematic significance I cannot even consider until I’ve had a drink. Or two.