Oof. Mio tried to get her feelings through too, but Hinata just rewrote her feelings since they didn’t conform to what she wanted. To be fair to Mio, I’d leave if the person who was my best friend forced her feelings on me and ignored mine. Sal Jiang’s usual telling of a relationship starting is flipped on it’s head to be completely one-sided here, an interesting contrast after reading their other works. I really like it and as much as I wanna see what happens next, I feel like this is the end, there isn’t more to the story aside from Mio’s perspective. Is good, much wow. I like that idea of the living room’s clutter being a form of symbolism, I noticed the clutter but not the contrast of it between the other elements, clever analysis.
Dunno where all the mortality stuff came from though. It sounds more like she disappeared then died. She may have been using “going to her parents’” to hide her leaving everything. It’s possible that it’s le death, I severely doubt it though. “Drove her into a corner” can also mean emotionally so that she felt like all she could do to get out of the relationship was to go away without warning. Other than that line there isn’t any implication of death. Hinata may be speaking as if she was dead because their relationship effectively is and she believes she was the one that killed it through her insistence to push her feelings on Mio.
Way-too-long-response over (I was trying to find the correct name of the manga I’m referencing to get the quote right but I couldn’t so there you go :P). Crazy stuff Sal Jiang do huh…
last edited at Feb 19, 2023 8:30PM