We're just calling anyone a villainess now.

Well, when she laughs she goes "oHohoho!" in proper villainess style . . . wasn't that always the main qualification?

Or Santa, if you squint

last edited at Sep 22, 2025 8:38PM

We're just calling anyone a villainess now.

Well, when she laughs she goes "oHohoho!" in proper villainess style . . . wasn't that always the main qualification?

Or Santa, if you squint

You have to close your ears to the first O lol

Well, when she laughs she goes "oHohoho!" in proper villainess style . . . wasn't that always the main qualification?

Or Santa, if you squint

The difference is mostly in what kind of presents they bring

The Oscar x Delilah one is the funniest out of all

We're just calling anyone a villainess now.

Well, when she laughs she goes "oHohoho!" in proper villainess style . . . wasn't that always the main qualification?

Also the "prince" tried to break up their engagement, which is the normal otome game villainess plot point.

The Ohohoho! is still absolutely necessary, of course.

the yukata girls are from “it was soo hot after all”

the author's brain is HUGE

As always, yay for more Amazaki Suika.
The horror page was particularly relatable.

We're just calling anyone a villainess now.

I think they titled it that for a fake out. The cliche pattern is that a villainess story begins with her being cast aside by the prince, so the author wanted your mind to go in that direction before switching to the yuri route

We're just calling anyone a villainess now.

I think they titled it that for a fake out. The cliche pattern is that a villainess story begins with her being cast aside by the prince, so the author wanted your mind to go in that direction before switching to the yuri route

B-But isn't Villainess a subgenre of Yuri to begin with?..

^
As much as I want that to be the reality, the more probable answer is Villainess, in most cases, serves as a side character in the plot of (mostly het) otome game, like how Claire is in the original game Revolution (as seen in I Favor the Villainess), an obstacle that tries to stop the protagonists from forming relationships with their love interests.