I can't believe I never read this. This is easily one of the best works on Dynasty.
The art is absolutely marvelous, at some point I was internally screaming in jealousy, like "do you just wanna brag that you can draw hands and feet in any position/perspective and draw them perfectly!?". It was very exhausting, I assure you lol
I really like the story, though I didn't like the way the storyline just kept rethreading itself. I feel like it could have done without one or two of the many complications the main characters face (and I mean the menial stuff, like losing/gaining money/a car) It just feels a bit aimless, is all.
That said, the dialogue is definitely on point. You can even feel the weight the translators put behind every choice of word, and I'm sure it wasn't an easy task, so thanks!! Each and every line of dialogue felt very deliberate, and it reveals a tiny portion of the each character's mindset one at a time. This story could be just dialogue, no pictures and no prose, and it'd still be an incredibly interesting story.
I will also say that the Letterboxd reviews for the movie are all extremely biased because of the inclusion of the sex scene with Rei and the man at the train station, which just feels like an overreaction. All of the top reviews say stuff like "you can tell this is a movie about wlw directed by a man," but fail to mention the fact that the mangaka is a woman lol.
About this, it may just be that the reviewers feel the framing of the movie is male gaze-y. It kind of reminds me of the movie adaptation of "Blue is the warmest color", also a comic written by a woman, but the movie (despite having scenes that were lifted straight from the comic) was directed by a man and it just... well, felt very male gaze-y, so much so that the author even had to comment on it. Framing is everything, after all.