Fellowship of Freelancers
joined Oct 11, 2010
MK, I feel I've already addresses the "I LOVE THIS TEEHEEE!!!" mentality, stating that smaller groups get around that problem better than larger ones. For instance, when I worked for Dynasty Scans, I mostly worked on Yuri Hime or Tsubomi with the occasional venture into other stuff; now that I'm 'solo', I've done weird porn, gore, minimalist artstyle, a panda dating a tire, diabetes incarnate, and many things in between. This isn't to say that what Dynasty Scans did was bad in any way (I enjoyed my time there and never thought poorly of what we produced), it just served a different purpose. I see a more diverse group of scanlators as the same as a more diverse exploration of art.
There are also learning curves that should be taken into account. Scanlation groups tend to have thresholds for whom they'll accept; problem is, of course, that it can be hard to meet these thresholds without already having done it. For instance, my early works were done using MS Paint, and I had no idea on what could be available in an art program. If I had applied for an editor/typesetter position back then, no one sane would have accepted me; however, I'm proud of some of my edits as of late, and what I needed was the experience of running into road blocks and learning how to get out of them. (I especially feel the same way about translators, as the biggest shortage is in translators while there's nothing close to a translation apprenticeship, or at least none I've seen.)
Or, if you're just looking for a group without fanboys/fangirls who squee every time they see something mildly relevant to their interests, you might as well retire from the world as there ain't such a group.