With the hindsight of a year or two, that one part feels even more surreal. Most of volumes 1-2 conjure a pretty straight-forward smutty romance with a dubcon and "straight girl" conversion theme, but then... The reader is probably not supposed to think anything of what happened in chapter 8-9, and were it a random one-shot I wouldn't either, but the speed at which the story moves on and switches gear to romance and coming-of-age fluff turns it into an elephant in the room for me. I know I'm supposed to forget about it, but... I mean, it's right there.
This is not meant to be criticism exactly, I'm just processing. I find the decision to interrupt the lighthearted lesbian smut with unambiguous sex crimes, only to sweep them under the rug expeditiously, fascinating. It's exactly because the rest of the story is so cute that that part sticks out so much to me. Rather than 'unrealistic' its very randomness makes it feel more 'realistic', even though Teren Mikami, agent of chaos that they are, probably just thought it would be funny.
Ch 8, the 'rape' scene? I think it's mostly confusingly (poorly?) written. It's not just that the story moves past it or forgets about; right in that scene Marika switches from "no" to "let me pleasure you". And then right afterwards they're cuddling and Marika is asking "what do you really think of me?"
Rape, or Marika playing hard to get, or existing consensual non-consent? Aya probably thought it was the second or third. And even Marika's own thoughts don't really clarify her feelings: "if you really hate it that much, just push her away and go home."
In my limited experience with noncon smut, the receiving character's enjoyment of being subjected to non-consensual sex is not a bug but a feature a lot of the time. But what is depicted is still, you know, sexual activity without consent, which is why this kind of thing normally bumps up the darkness level of any long-form story. A random porn oneshot with the standard "no means yes" package has less need to concern itself with continuity or tone, but these girls started out having sex under some form of consensual agreement, then arrived at "no means yes", and finally went back to consensual sex again. It's not that I think Marika 'should' have been traumatized, but there is room between that and a total lack of any serious reflection. (Aya started stripping Marika and fingering her when the latter was having doubts about Aya's intentions. Aya kind of steamrolled her there, much more so than any time before.)
The reason why I also included chapter 9 in the surreal-sex-crime-whiplash is because that's where Marika, the protagonist, finds out that Aya and at least one other girl was sexually exploited by the owner of the lesbian bar where Aya works at. She even reacts with "that's... that's illegal". The story then swiftly turns up the fluff and moves on from this plot point as well like a funny anecdote.
This following up of the sudden, relatively dark plot points with fluffy sweet romance in ch. 10 and after, creates that strange and disorienting effect I mentioned. And yet, I'm not willing to write off the whole series because Mikami's writing has a charm to it, and the central relationship is otherwise pretty easy to like. I'm conflicted, hence the paragraphs.
Also this bartender owns a establishment that serves alcohol, allows minors where she can easily prey on said minors and has several beds set up where she lets said minors have sex in, this shit just gets worse the more I think about it lmao
Yeah, I wonder what Teren Mikami was cooking there. It's such a cheeky movement, and it's dropped in with little to no buildup or resolution.
last edited at May 21, 2025 5:53PM