Suimasen Scans
joined Feb 8, 2024
I'll admit I'm a little puzzled by Misa's reaction in this chapter, but I don't think it's totally OOC for her. Re-reading the chapter I'm not entirely sure Misa grasps the extent of what happened. I think she suspects Io of cheating as soon as the phone hangs up ("Or is something else going on behind the scenes"), and seeing two hickeys (implying Io didn't push Hase away after the first one) on Io's neck just confirms that suspicion to her.
From that point Misa's having a full-on jealous reaction to the situation and she's interpreting everything Io says through that lens. It's maybe not the smoothest execution, but I think that's how we got from here to there.
What I've appreciated about this story is that it's sort of looking at the gray space between abusive relationships and informal bdsm relationships (Misa's not a dom or otherwise involved in the scene, Io struggles to set boundaries), and what distinguishes one from the other. So far Io has gone along with Misa's shittier behavior, and seems to have found some form of personal liberation and empowerment from it. Chapters like this are signalling that allowing things to continue as they have been might just end up with Io trading one abuser for another. I'm content to let Flowrchild keep cooking with this for a bit.
Why does this author only write unlikeable characters that have no redeeming qualities? The issue with doing that is the ending always acts like it's romantic and ok to be this messed up. Sure people can be crazy and toxic in real life but fiction shouldn't glorify it. Imagine someone that was assaulted reads this. Their biggest take away is if you get assaulted and tell your lover they'll just see you as a cheater. This story feels toxic just for the sake of it.
I mean, this is a work of fiction exploring abusive relationship dynamics, not a manual for understanding the correct way to handle an assault. Fiction can be an avenue for processing a traumatic experience, but that doesn't mean all stories have to adapt themselves to that purpose. Also, Misa being a protagonist is not an authorial endorsement or glorification of her behavior.