I dont understand why people are complaining about how the author should write this way, or the author should write that, or explore this, or whatever. I personally think it's a well-written story, and I dont think Sungji or any other character fell flat at all. In fact, this is heaps better than MOST yuri manga's I've read. Really. [...]
In the end, all i want to say is that, i think the story's well-written, and I cannot wait for it to unfold, because I'm liking it so far.
Well, I realize I might be off in thinking this manga is not written well (although a very strong argument could be made). I am relying on the experience I have in critiquing English, American (and a little French) literature. The criteria by which the merits of works by people such as Kazuo Ishiguro, Toni Morrison, F. S.Fitzgerald, Plath, or Steinbeck might not accurately map to Korean comics in some people's opinions since they are of a different medium.
However, I think that all literature shares the reasons for creation... to tell a story, represent a culture (or tradition) or convey an emotion. I also think it is fair to judge comics by their impact, originality, resonance, degree to which they mark social class or culture, etc...
Anyway, I wanted to bring something kinda new to the table (lol maybe it's not, I haven't read all 200 pages of this thing). As MacySan said, "this is getting repetitive".
So instead of focusing on just the plot, it would be interesting to hear what other people think about this manhwa as a piece of literature, particularly as a work that is culturally significant to a group that has been underrepresented in American, English (and probably Korean) literature to-date.
last edited at Jan 21, 2017 1:01AM