Forum › Posts by Yuki Kitsune

Snowfox
joined Jan 31, 2015

Is this series actually ongoing, or has any continuation been replaced by the serialized version?

Yuki Kitsune
Maple Love discussion 19 May 17:32
Snowfox
joined Jan 31, 2015

I can't find the two page continuation, somebody help pls

You can also find it here if you search "Maple Love": https://dynasty-scans.com/chapters/maple_love_extra

Lists a different author. Probably why it's not obvious.

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Ick factor 8/10; those last three pages left me feeling ill. Kyou-chan checks off almost every bad vibe in the book.
Looked like it had potential, but I don't think I can read this one. :(

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Searching for a one shot.
The plot centres around two schoolgirls with a passion for art, and grow competitive with each other.
They visit an art supply(?) shop run by an old woman, and buy paint, specifically the brand Schminke(?) I could be wrong but an actual paint brand is named.
I vaguely remember the end scene being the old woman passes away unexpectedly the next time the girls visit after having a fight between them, leaving them guilty.

And that's about all I can describe. :,D
It is a vague and choppy description, sorry for that. I appreciate any help as I really liked the art style of this manga.

The Two of the Art Club

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Well if it really is ending soon then I'm glad. It has been losing steam by quite a lot in those last chapters and it especially took a dive when it started mirroring comments about "Is this yuri?!"

Agreed, this is the most disappointed I have ever been about a couple going official. Feel kinda like what was unique about their dynamic is gone.

Honestly unless the conclusion they reach is “haven’t we been going out all along?” I feel like this is just undermining most of the series in a way.

I think it would be difficult to have an ending like that. Kasumi, I feel, has already acknowledged that Sakurako is looking for something more definitive in this sequence of pages. But I still expect that their relationship will continue on as something that doesn't neatly fit into anyone else's box. Just because they don't have a typical relationship doesn't mean that there isn't a desire for some form of recognition that they are sharing their lives -- the knowledge that they are together because they want to be, not just because it's convenient.

Without that, the series starts looking a bit like Stretch.

last edited at May 5, 2023 4:58PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Waitamoment what happened with all her winnings?
She won so many times at the slot machine she had two big boxes filled with tokens or whatever. I'm not sure how this business works in Japan but surely the token thingies can be exchanged for money or prizes - right?

She won the biggest prize of all: a girl's heart.

I believe gambling is actually illegal in Japan due to its association with yakuza. So you can get cheap prizes but not money. The shady workaround for this is that some of the prizes can be exchanged for cash nearby. The trick is finding out what and where.

Yuki Kitsune
Yuki Kitsune
Snowfox
joined Jan 31, 2015

What? There's no melon in melonpan!? My whole world is a lie!!

Seriously though, been sitting on this series a while and finally started reading it. I love how the author manages the subtle differences between things like acceptance versus understanding and reason versus instinct. The characters are beyond their years in ways, but still very much at their age. I hesitate to use the word "realistic" to describe it, but it's certainly "genuine." Feels like a topic that is close to the mangaka's heart.

Yuki Kitsune
Snowfox
joined Jan 31, 2015

In the one-shot, a girl is bullied, and her friend defends her and goes out with her to protect her, but its a very one-sided relationship on the friends part, she's basically forcing the girl into a relationship with her. At one point they go on a date in a cafe. The bullied girl is very stressed by the whole situation and her hair keeps falling out from stress. It's implied the other girl is aware her friend's affections aren't the same as hers, but doesn't care. It had a cutesy/shoujo art style and was relatively new, likely from the past five or so years and certainly not older than 2010, and it's possible the bullied girl has braids.

Not this one, is it?
https://dynasty-scans.com/chapters/yuri_yuri_2_ch04

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Looks like 110 and 110.5 are the same.

Edit Looks like 110 got fixed.

last edited at Apr 17, 2023 5:13PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Appears to be less Drama and more Needless Complication.

last edited at Apr 15, 2023 11:15AM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Sees: Monday
Sees: Tragedy

Seems beautifully told, though. I can already see why it won an award.

last edited at Apr 9, 2023 9:20AM

Snowfox
joined Jan 31, 2015

I love the look on Narita in the last panel, trying to stifle his laughter.

Yuki Kitsune
Snowfox
joined Jan 31, 2015

I'm looking for mediaeval/dark-fantasy stories. For example something similar to This World Is Mine by Ajiflower and Ryugong. If the recommendations have under 18s (AKA schoolgirls) then I am not interested.

Your Throne ? But the yuri is very subtext-y

Based on the recommendation, I went and read the first 20 chapters of this. I can honestly say, never before have I shipped an FFM threesome.

Yuki Kitsune
Snowfox
joined Jan 31, 2015

https://dynasty-scans.com/issues
^ This page has a bunch of volumes that aren't categorized with their publication. (Although, many of them appear to be empty.)

Snowfox
joined Jan 31, 2015

Rekan1 said:
[snip]
The face of an approving sister

...who knows when she's a third wheel.

Yuki Kitsune
Pink Ribbon discussion 05 Mar 18:19
Snowfox
joined Jan 31, 2015

Woohoo! An unexpected extra!

Edit: Took the opportunity to reread it, and I gotta say, is there anything cuter than Lumiao cheering at the v-ball game?

last edited at Mar 5, 2023 7:12PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

It cannot invalidate the older license. The license itself specifies that it is subject to the laws of the state of Washington.

As the community has scrutinized Wizards of the Coast's past statements, it's become very clear that Wizards always thought of this as a contract with obligations for both sides (for instance their 2001 OGL FAQ v 1.0). Unlike a bare license without consideration, an offer to contract like this cannot be revoked unilaterally once it has been accepted, under the law of Washington (where they are located) and other states.

That's why this whole thing feels like a tempest in a teapot to me.

D&D campaigns hinge on the DM's creativity so it's only natural that even people who don't publish material will still create supplemental material over time.

Agreed.

It's only natural that people who have put a great deal of time and effort into a setting might want to publish it for others to use. Or they might have a supplemental ruleset that expands upon the base ruleset or works around flaws in the basic ruleset.

Agreed.

Why shouldn't they be able to publish those and make money off of them? They're not using someone else's work and selling it.

What are the 4 conditions that a work must meet in order to fall under OGL 1.1? If they are not using "someone else's work," (defined in the OGL as Licenced Content) then it is not subject to the OGL, so they wouldn't even be asked to report large revenues.

last edited at Jan 15, 2023 2:50PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Yuki Kitsune posted:

In what way?

  • The original OGL is over 20 years old and well overdue for an update.

Age is no argument for whether it needs to be updated. If it needs to be updated you need to have specific arguments for why.

As stated in the draft of the OGL, "the rise of the internet, apps, Web 3, and even virtual TTRPGs." Although, since the OGL pretty much says that apps, VTTs and the like all fall under FCP, I'm not sure how it's really addressed. More below.

  • A large part of what killed D&D e3/e3.5 was the creation of objectionable content that people then associated with WoC, so I can see why they would want to retain a little more control.

You mean like the kinda racist winged monkeys I saw someone posting about on Twitter? Oh wait, that was WotC.

Sounds pretty tame compared to some of the things I recall. [Trying to look a few of them up. Will edit once found. Lord, forgive my browser history.]

  • No one is required to adopt the OGL unless they include copyrighted material from the SRD, but the actual mechanics of the game are not copyrightable. The new OGL cannot be unilaterally imposed--it requires agreement from both sides.

The entire point of the updated version is WotC being able to impose it on anyone making use of their materials in any form. Including content that is made to be compatible with their materials but doesn't actually include any kind of actual official D&D material.

They can't impose it. I'm sure the WotC legal team is perfectly aware of this. It's a two-way agreement, where those who explicitly sign on to the license receive certain benefits in exchange for giving up certain fair use rights they have under copyright law.

In fact, it doesn't even seem like they can revoke the 1.0a OGL for already published works, only for new works.

Whether they can legally do so is up for debate but the 1.1 license explicitly declares the 1.0a version to be retroactively obsolete.

Correct only in the sense that it applies to materials that WotC published before the new OGL goes into effect. In other words, if someone in 2024 wants to sell a new product created from e3.5 rules and declares that they are publishing under OGL, it will automatically fall under OGL 1.1; they can't declare that it's under 1.0a simply because that's what was in effect when the SRD they are using was published. Per WotC's own declaration, "Content already released under 1.0a will also remain unaffected."

  • I see little impact on most independent creators, and Hasbro can't monetize materials created by others according to their own OGL. Yes, there is a provision that lets them use materials that have not been published physically or digitally, but it specifies that Hasbro/WoC cannot monetize those materials. I don't recall the exact phrasing, but it's pretty clear that its main target is NFTs, not artwork or the like. The only exception is a very small number of corporate competitors, and I'm not sure I can really blame Hasbro for wanting to push back on those.

Literally the first I'm hearing of them being unable to monetize it. Plus the entire fact that multiple confirmed employees have already leaked that it's upper management and Hasbro making a moneygrab kinda makes your argument seem even less likely.

I also stand corrected on them being able to use content. Content developers do not sign away any rights that would allow WotC to use their material, for profit or not. I've seen a lot of fearmongering on the line, "This license only applies to materials You create for use in or as roleplaying games and as game supplements and only as printed media and static electronic files such as epubs or pdfs." But the reason these are excluded is that they fall under WotC's Fan Content Policy, not the OGL.

So, please help me understand: how does OGL 1.1 make them greedy?
(There are other things that do, which is one reason I'm not a fan of e5--aka, e2 revisited--but I don't understand the hate for the new OGL.)

For someone who seems to have been looking for information before now you don't seem to have done a terribly thorough job. You can easily find info all over the place. Here's a decent one.

Please dial down your tone. There is no reason to get personal.
1. There is a lot of misinformation and high emotions swirling around currently.
2. The OGL is still in development with WotC requesting international community/industry feedback, so many of the current complaints are based on rough drafts and excerpts rather than a finalized license.
3. In the end, the community is still free to not accept the license, continue to create compatible content, and not report any of it to WotC. By using copyrightable materials (e.g., exact words and phrasing present in the SRD.)

The OGL stipulates 4 conditions that a work must meet in order to qualify as a license agreement.

In addition, as I pointed out above: This is literally the same behavior that played a significant role in TSR going out of business and WotC buying the D&D franchise to begin with. As well as a significantly more egregious version of what they tried to do with D&D4e which also resulted in massive backlash. The community has repeatedly made it clear that they do NOT want this sort of monopolistic control over the community.

E4 was an unmitigated disaster that ultimately died because it was a shit product. E3/3.5 was created with veteran players in mind, who wanted more freedom (which was also why the original OGL was envisioned), but this became difficult for novice players to get into. Since the player community was aging and shrinking, WotC tried to create something they thought would be more attractive to younger players, and completely missed the mark by trying to introduce elements from MMOs (what they considered their competitors) that simply didn't work in TTRPGs. There was also backlash because of the number of handbooks needed and the abbreviated life of e3.5 (Yes, e4 was a total cashgrab), and its GSL (a) didn't include any SRD game rules (which OGL1.1 has) and (b) required companies who switched to it to drop anything created on the old OGL, which was a major problem due to the aforementioned shortened life of e3.5. My hobby (or secondary job) is TTRPG development, and the only complaints about the e4 GSL I had encountered were from larger, corporate publishers. Small independents simply weren't interested in developing for the new version, which is one reason Paizo flourished. I suddenly see complaints all over the place, but I can't help wonder where these complaints were ten years ago.

My personal beef with e2 was that the fixed character progression forced you to buy expansion after expansion if you wanted any kind of variety in your characters, which is the model e5/1D&D has reintroduced. Haven't spent a penny on it and don't plan to. (The game I'm currently developing settled on a d6 system last year.)

Yuki Kitsune
Snowfox
joined Jan 31, 2015

In what way?

  • The original OGL is over 20 years old and well overdue for an update.
  • A large part of what killed D&D e3/e3.5 was the creation of objectionable content that people then associated with WoC, so I can see why they would want to retain a little more control.
  • No one is required to adopt the OGL unless they include copyrighted material from the SRD, but the actual mechanics of the game are not copyrightable. The new OGL cannot be unilaterally imposed--it requires agreement from both sides. In fact, it doesn't even seem like they can revoke the 1.0a OGL for already published works, only for new works.
  • I see little impact on most independent creators, and Hasbro can't monetize materials created by others according to their own OGL. Yes, there is a provision that lets them use materials that have not been published physically or digitally, but it specifies that Hasbro/WoC cannot monetize those materials. I don't recall the exact phrasing, but it's pretty clear that its main target is NFTs, not artwork or the like. The only exception is a very small number of corporate competitors, and I'm not sure I can really blame Hasbro for wanting to push back on those.

So, please help me understand: how does OGL 1.1 make them greedy?
(There are other things that do, which is one reason I'm not a fan of e5--aka, e2 revisited--but I don't understand the hate for the new OGL.)

Here's one pretty thorough analysis I found on it:
https://www.eff.org/deeplinks/2023/01/beware-gifts-dragons-how-dds-open-gaming-license-may-have-become-trap-creators

last edited at Jan 12, 2023 7:26PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

^ Pretty sure that user is asking for examples of "manga with male gay characters/pairs/relationships".

Closest I could think of was Prunus Girl, but that borders more on trans.

@Vaelasu, it's not so much that this is an inappropriate place to ask so much as it's maybe the wrong audience.
While I read yuri, my wife does read gay novels (and for much the same reason: we find traditional romance to feel forced and unsatisfying). I could ask her for rec's if you want, but it wouldn't be manga.

last edited at Jan 5, 2023 8:50AM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

The Bread is a lie.

Snowfox
joined Jan 31, 2015

Pfweeet! Illegal cliffhanger! Five-page penalty. Fourth and goal.

Edit:

If you cut your servers, do they not bleed? (Please do not cut any servers to test this theory)

I've cut my servers before. They did not bleed. Did shut down operations until we could replace the cables, though.

last edited at Jan 2, 2023 10:01PM

Yuki Kitsune
Snowfox
joined Jan 31, 2015

Here I am, looking at all the "Nagori Yu abandons her stories" comments from a year ago, thinking, "How prophetic." /sadness

Snowfox
joined Jan 31, 2015

Is it just me, or do the cait sith not only have different designs but even different art styles?