Lizstar can speak for themselves if they wish to, but I just wanted to make a few brief points.
Plebeian posted:
Could you elucidate on the value of critiquing a work on morals the author is clearly deliberately ignoring?
I ask because for one, I cant see how the author could use criticism like that when the moral failings being decried here are so foundational to the works premise.
One, even English-fluent artists who approve of their work being posted here are unlikely to browse these forums frequently, if ever. Assuming the artist did look at these "critiques," I'd point them to Linterdiction's posts on the previous pages. Even intentionally provocative media can push boundaries in a way that turns some of its core audience off, and even framing changes could avoid that trap entirely.
It couldn’t help readers either, since if their morals don’t align with the work they’d have been able to tell and jump ship by the end of the very first chapter.
Two, several readers have been hopping off the train for the past few chapters, some rather disappointed. Most humans don't deal in absolutes, and are willing to stick with resonant pieces even if those pieces are grating in some fashion. In this instance, without the benefit of reviews to guide them, any given reader may stick it out for several chapters in the hopes that the positives grow and the negatives wane. Ignorant though this apparently is to you, the proof lies in this very thread, and the posts her serve as "reviews" for prospective readers.
I dont intend to strawman your position as ‘this is bad so you shouldn’t like it’, but what other arguments are 'real life morals' going to contribute to here? Besides, of course, the argument of ‘this is bad so it shouldn’t be made’.
Third, and finally, you suggest that a comment must be made in service of a larger argument. These forums operate for discussions, yes, but also serve as the equivalent to blog posts for others. The mere expression of one's opinion may be all they're after, and still holds value besides.
Look back on Ryuu-chii's post, wherein they draw dissatisfaction with the tenor of comments present. Just as they come away from the thread feeling negatively about moralistic comments, one on the opposite side of the spectrum would feel a positive sense of identification with those same comments. The expression of disgust amidst (apparently) growing distaste among this story's audience engenders a sense of belonging that doesn't exist if none of those comments are ever made.
Thus, between the inherent value of reviews to some readers, and the further value of identity to others, there seem to be valid reasons to comment "moralistically" on a given work without suggesting anything about whether the piece should exist or whether anyone else should or shouldn't like it. And we didn't even get into the fun stuff! Maybe next time.