^ They can start round one in the car and continue the rest in the hotel ;)

last edited at Sep 9, 2024 10:34AM

Well, at least it's not a gender bender. It seems like every time there's a body swap story, a gender bender is bound to be involved.

Y'all there's only 5 Girls Band Cry doujins on dynasty ONLY FIVE!!!!

Rereading this made me realize the art style perfectly matches the anime! It feels like an unreleased episode but in manga form.

Starting around chapter 100, the series feels like it's taking a more serious turn. Up until now, it's focused on Oosawa gradually understanding her feelings for Mitsuki and figuring out the role she wants to play in Mitsuki's life. In chapter 100, Mitsuki even mentioned that Oosawa is her 'safe place.' With Mitsuki becoming more popular, it seems like she'll begin to understand her own feelings more deeply, which I'm really looking forward to. However, the author could take this in a cute and heartfelt direction, or not and we might see more focus on the newly introduced characters in their adding even more layers of intrigue to the story. :D This just a predication of mine.

last edited at Sep 8, 2024 7:18AM

Bottoms up! (Literally, cause she's drinking from the bottom half of Soyo's body—yeah, I’ll show myself out now...)

This feels both intimate and funny at the same time.

Just some pages where how they act may be relevant. I'm writing this down for easier access once there are more chapters and I want to revisit those scenes.

Erika:
School girl usual romance talk, pages 12-13
Tanabata day memories conversation, pages 27-30
Her opinion on how Koto should act about being reunited with Aya, pages 08-11
It's not clear what she means by fair in this, pages 30-31
Self-deprecation? Page 07
Briefly mentions how Koto "has changed", pages 17-18
Calling herself awful, pages 24-25
"What do you think? Aya.", pages 17-18
Recognizing herself as Aya's stand-in, pages 25-28
In the same chapter, pages 29-30, tanabata is brought up again and her wish is shown.
Still within chapter 8, "I consider myself an awful jerk" pages 35-36
Flashback from briefly after Aya's disappearance, makes a question Koto seems a bit confused about, page 11
"I'm not... Anyone's great friend.", pages 20-24
Her animosity towards Aya becomes more noticeable and so does the fact that she's hiding something, pages 09-13, Aya briefly recalls something and Erika's muttering seemed to be directed at herself.
Later, "meaningfully" smiles towards Aya, page 22

Koto:
Second confession, already showing her desire to be the center of Aya's attention, pages 28-31
"I just knew she would respond that way" script and stage, which could mean nothing, pages 32-36
Anxious over Aya's sleeping figure, pages 24-29
Anxious over Aya seeking for a job, pages 31-33
Watching Aya leave for work, page 32
Her wish for Aya to quit leaks a bit, pages 07-12
and in the same chapter, gets somewhat more intense, pages 19-25, as Aya talks about how she wants to keep moving forward
gets more anxious when Aya starts to focus on achieving her goals, pages 35-36
"I would never let go of Aya-chan", pages 31-36
Loses her cool, pages 01-05
and then feels betrayed pages 17-18
Lastly, the part where her emotions leak and she tries to control Aya's actions, pages 25-36 and makes it clear that she is a child and that she is scared of Aya disappearing again.

Aya:
The "If not here, where is it?" scene, pages 18-25, Koto feels as if she's being messed with.
still during the first chapter, she's found looking somewhere far away, pages 28-30
Can't recall what happened and feels insecure about how the current Koto feels about her, pages 27-34
Her reaction to her grandfather's death, pages 01-02
Her reaction when Koto first confessed, pages 01-02
During their date, reminisces on how her feelings for Koto changed since her first confession, pages 10-15 and is now more aware of how she is attracted to her.
Still within the same chapter, her fear of being abandoned becomes apparent, 18-28, at this point she's still very naive and unaware of her partner's mental state or what it means to have disappeared for 7 years.
Becomes lost in thought again, looking somewhere far away. pages 05-07
This entire part where she isn't certain of her standing with the other two, pages 19-36
Feeling bad again for being the only one left behind and a child, pages 23-35
Anxious over a possible break up, pages 02-05
Feeling anxious over Koto, pages 15-30, and getting very awkward after and "comfortable".
During Koto's emotional moment, pages 27-33 her being a child and her disappearance are the two things she seems to be the most sensitive about. In this I'd say her desire for not being "stuck" is made clear.
And she does want to be independent, pages 07-09
Starts to question how she feels towards the current Koto, pages 16-17
And finally starts to become aware of the gravity of her situation, pages 28-36

WOW!!! Thank you for sharing this. it's incredibly useful and helpful! :D

I think this might be trans instead of futa

I have a question, and I hope this doesn't come across as rude. How can I distinguish between manga featuring futanari characters and those with transgender characters.

If we consider the fact that many people don't really follow the actual definition of futanari: Intention, I'd say. Two examples I can think of with explicitly trans girls are malcatras' maiden (steam) and hopeless junction by Nadia Nova which feature non-op trans girls. Have in mind that there's sexual content in both VNs. Those are characters intentionally written to be trans and not what is often nothing more than a porn category. Well, not that the way trans girls are treated is good and that's actually how they're seen and treated by most people... A porn category.

Futanari is a girl (rarely a boy) with a hermaphrodite body, so featuring both a functional (she produces gametes) penis and vulva, with variations also featuring a scrotum alongside them. There are few works where it isn't sexual in nature like this touhou doujin.
The genre itself is broad and the subject may not have been born with a penis by default but grew it out later, be it by supernatural means or medicinal means... Or whatever else people may think of that could result in the alteration of one's reproductive system, such as the transfur genre where species change is involved and sometimes sex change too.
Personally, I see it as an extreme exaggeration of the idea of how an intersex (cis or trans) body works rather than a perisex trans one.

I agree on this being a non-op trans girl.

Thank you! for explaining it so clearly. I used to think that trans girls in futa-type doujins were depicted as females with both a penis and testicles, while futa girls either grew one from their vagina or had a penis without testicles.

^ Absolutely!!!

^^ That trailer has to be the most intimate, horniest, and sexiest game trailer I've ever seen in my life ;D

Cute :) The art here kind of reminds me of Adventure Time.

Normal one my foot. They're all pretty wild! ;D

Cute!!

I think this might be trans instead of futa

I have a question, and I hope this doesn't come across as rude. How can I distinguish between manga featuring futanari characters and those with transgender characters.

Crazy how old this series is, yet it doesn't feel like it. I just finished rereading the manga a few days ago.

I’ll gladly welcome anything Claudine x Maya with open arms! However, something about how Maya's personality was portrayed felt completely off compared to her character in the anime and game. You could say Claudine wasn’t too out of character, though.

last edited at Sep 6, 2024 3:48PM

I was wondering why there were suddenly so many Whispering You a Love Song one-shots, then I realized the first official Whispering You a Love Song Anthology just came out. Congratulations, Takeshima Eku!!! ;D

The whole “drag her down to my level” thing reminds me of another yuri manga (I think it’s yuri) about a model student and a loner girl, except the model student is just putting on a facade and the longer girl blackmails the model student into becoming more unhinged

I think you might be referring to 'Destroy It All and Love Me in Hell!' by Kuwabara Tamotsu which is a Yuri author and this manga has Yuri tendencies.

Interesting indeed :D

Ok! Based on Chapter 4, I believe that Sendai has sadistic tendencies, though she may be unaware of them herself. However, I think Miyagi suspects this too. it’s evident when Miyagi reflects, 'It's as if she's not herself,' referring to Sendai. Also, Miyagi seems to want to bring Sendai down to her level, metaphorically speaking. At this point, Miyagi is simply testing Sendai, but the orders she gives are becoming increasingly intense. If that makes sense but this is just coming from someone who hasn't read the light novel and this is just my rookie predictions. :)

This pairing is worthy of a army salute

Hi, anyone knows what she means when she said "as the bait"?
I can assume this is supernatural (hmm.. what's with the whole succubi/demon lord/demon king/etc related theme these days? I guess yuri mangakas have found a new obsession for their new works..)

It seems the other person doesn't know she's the "bait"

What's a "bait" she's referring to?

I just finished reading it, and I think when they refer to 'bait,' it means the other girl doesn't know she's dealing with a succubus. The 'bait' might be their meeting and having sex, allowing the succubus to feed on the other girl's sexual energy, though I'm not entirely sure.

finally its back!!!
edit: If this ever develops into a harem, it would be the greatest one I've ever read.

last edited at Sep 4, 2024 8:47AM

^ From what I’ve noticed on Twitter, non-Chinese artists often portray Chinese women as 'ultra cute' in a somewhat childish way, likely inspired by Chinese cute fashion trends. Here are some references to that style: https://www.pinterest.com/pin/850898923376297112/
https://www.pinterest.com/pin/865746728360875395/